Bridport Arts Centre
Holy Cow (2024)
Powered along by youthful exuberance, earthy sex scenes and keen naturalism, Holy Cow is a box-office sensation in France, where it outperformed Anora and The Brutalist.
The Irish Times. Tara Brady.
Plaza Cinema. Dorchester.
The Long Walk (2025)
The Long Walk has survived against the odds. It still resonates decades after the violent conflict that inspired it…and has now finally overcome the many failed efforts to adapt its bleak narrative for the screen. Vanity Fair. Anthony Breznican.
One Battle after Another (2025)
Separately, films from Leonardo DiCaprio and director Paul Thomas Anderson tend to light up the box offices and delight critics. So we can only imagine what their first collaboration, One Battle After Another, has in store. Wired. Claire Valentine McCartney
Downton Abbey: The Grand Finale. (2025)
The cinematic return of the global phenomenon follows the Crawley family and their staff as they enter the 1930s. So, mark your calendars for 12 September, when the film will land on the big screen – and settle in for one last trip to your favourite grand country pile. Vogue. Radhika Seth and Hayley Maitlan.
BBC iPlayer
Aftersun (2022)
The easy pace of Wells’s direction brings out the best in her central performers, and the chemistry between Mescal and Corio plays out effortlessly. The light moments between them are warm and the darker ones linger heavily. Time Out. Anna Bogutskaya.
The Magnificent Ambersons (1942)
The Magnificent Ambersons is still masterly. It’s the movie that all other films about families in decline are measured against. The A.V.Club. Ignatiy Vishnevetsky
